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The Crucible

By A Web Design

Celebrating 50 Years of Studio Glass Print E-mail


A California Glass Exchange at the Crucible Nov. 10 and 11, 2012
Two Days of Demos, Lectures, and Two Day Glass Art Exhibition

It's easy for visitors walking into The Crucible's main studio space to see how much glass means to our programs. From our furnace of molten glass kept orange-hot 24 hours a day, to the glass monsters and beads in our flameworking lab, glass is one of the most extensively used materials in our studio. It's hot, glossy, temperamental and very sexy. 

"From the first moment I started working with glass, "said Keir Lugo, glass studio instructor, "I was hooked. It's just unlike anything else.”

 
2012 Youth Summer Camp Update Print E-mail

Carla Hall

Summertime at The Crucible brings one of our most popular youth programs, the Youth Summer Camps. Aaron Mason sat down with Carla Hall, The Crucible's Youth Program Director, to talk about the program in process. Photos by Troy Mickins and Aaron Mason.

AM: Let's start with a little background first.

CH: Sure! My name is Carla Hall, and I'm the Youth Program Director, amongst other things (laughing) here at The Crucible.

AM: And right now our big youth project is the Youth Summer Camps?

CH: That's correct. Right now we're in our fourth week of our Youth Summer Camp program, which I like to call "an industrial arts day camp."

AM: How long do the camps run, and what do they provide?

CH: It's five weeks of week-long day camps that give students a hands-on learning experience in industrial arts. They're either full or half-day camps, depending on what the students have signed up for, but in either case young people get the chance to participate in huge range of classes including welding, blacksmithing, glass blowing and glass flameworking. This week alone we're running 22 different classes.

AM: How many young people are we expecting to have through the program?

CH: We have a little over 600 students coming in over the five-week span. Traditionally the camp would span four weeks, but this is the first year we've had this level of interest and expanded into a fifth week of our most popular classes.

AM: Which parts of the program have been expanded?

CH: Glass blowing is the program that's had by far the most growth. Last summer we ran a pilot program for just one week; this summer we've done glass blowing in four expanded weeks, and all of those classes have filled. The art bike program has continued to be popular as a day-long program as well. This is the first year we've also had the immersion program, which is a day-long experience with beginning and continuing skill level classes in arc welding, glassblowing, glass flameworking and blacksmithing. Those programs also filled pretty early in the registration process, and have seen increased popularity compared to last year

AM: And all of these are programs are for young students? They sound very adult.

CH: Yes! Once a student turns twelve they can come in and get hands on experience with flame or fire arts classes. The eight to eleven year olds participate in programs like clay, kinetics, wood carving, which are generally more age-appropriate.

AM: What do you tell people who are concerned about youth in this environment?

CH: We spend a lot of time transforming the shop into a youth-friendly, youth-safe space, including hiring a program staff who deal with supporting student needs, supporting instructors, providing a central meeting space, a break area, recess space and snack time. They're doing a fantastic job providing the infrastructure that makes the camp so successful.

We also work to promote maturity and responsibility in our students. We let them know that now that they're eight they really are mature enough to go through those processes. We set expectations of safety and proper behavior when handling the scenarios they're faced with. For an eight year old we say things like "You know now you're eight and you're not seven, so you should be able to be in this space and be old enough to have fun here and be safe here."  Of course the situations are very safe and age appropriate, but you'd be amazed at how responsive to responsibility young people can be when given the chance.

AM: Do you find that a lot of students are returning from last year?

CH: This year is the first year that we've seen a high ratio of returning students. We've been running the camps for a number of years, and some students have started to come year after year to have their summer experience or their summer camp at The Crucible. We've seen who return to really grow their skills in one area, and some who are returning to expand into other areas and really build out their portfolio.

AM: How are people finding out about the program and getting involved?

CH: A lot of word of mouth. We have students who come for a summer experience and bring their friends with them. We see a lot of siblings coming, a lot of friends groups coming. We have one MIG welding class with four friends who go to the same school. Many of the schools that we work with pass on recommendations for this being a summer experience for their students who are interested in industrial arts. It's a hands-on experience where students are working with over 2000 degree furnaces and blowing hot glass and hammering hot metal. It's a pretty unique summer experience that people are excited to share with their friends and family.

AM: What are some of the most interesting things you've seen so far?

CH: I continue to be thrilled with the youth internship program. These are returning youth who've taken a number of classes in a particular area, and are now working as teacher assistants. It's amazing to see them really step up and find their voice and own their process, and be able to then teach other students who are coming in.

We also do a gallery walk at the end of each camp week so we have the opportunity to see all of the work that comes out of each class. That excitement around the feeling of completion, that feeling of "I did this. I came in and I was really unsure but then I came in and I stepped up, learned the skills and came out with these beautiful projects" is just amazing to see across the board.

Youth Summer Camps run June through August at The Crucible. For more information contact Carla at This e-mail address is being protected from spambots. You need JavaScript enabled to view it or at 510.444.0191 x112.

2012 Youth Summer Camp

Youth Summer Camp: Arc Welding

2012 Youth Summer Camp

2012 Youth Summer Camp

2012 Youth Summer Camp

 
Fuego! Youth Internship Program 2012 Print E-mail
Wednesday, 23 May 2012 00:00

Bay Area Industrial Arts School, The Crucible,
Features Youth Leadership and Internship Program

For the third year in a row, The Crucible is featuring Fuego – a leadership and internship program for high school students sponsored by Custom Alloy Scrap Sales – during the 2012 Fired-Up Summer Youth Program.

Bay Area industrial arts school, The Crucible, is hosting its third summer leadership and internship program for high school students, Fuego, from July 30 until August 3 and again from August 6 until August 10. In 2012, Fuego interns will work with instructors in planning and running classes in their chosen areas of artistic study.

“These days our youth are consumed by TV, X-Box or iPods and miss the opportunity to transform their ideas into reality,” says Edward B. Kangeter IV, Chief Executive Officer of Custom Alloy Scrap Sales (CASS), sponsor of Fuego. “CASS is committed to supporting The Crucible’s internships to ensure youth have a safe environment to explore their imagination and create industrial art with their own hands.”

During the Fuego summer internship program, paid interns will focus on their artistic development and technical skills, learn leadership skills, support The Crucible’s youth classes, and also get the chance to discuss professional development and exhibition preparation with well established, Bay Area based artists.

“We sponsor this initiative because we feel the positive experience of imagining, creating and sharing their art with others provides critical lessons that will serve these children well as they develop into adults,” says Kangeter IV.

Interns actively participate in the organization and implementation of the youth summer camps, as well as in leadership development and training components that take place before, during and after camp classes.

Fuego began in 2010 with six students selected to intern for faculty in welding, foundry, glass flameworking, jewelry and blacksmithing. It quickly expanded to include 12 interns, three apprentices, and a broader range of internship fields with the help of its sponsor, CASS.

Local businesses interested in sponsoring Fuego and students interested in signing up for the 2013 program can call (510) 250-3687 or visit TheCrucible.org to find out more information. The Crucible is located in West Oakland at 1260 7th Street, Oakland, CA 94605.

 
Executive Director Perspective: May 2012 Print E-mail
by Steven Young

West Oakland Industrial Arts Corridor

I recently participated on a panel discussion at SPUR in San Francisco about the West Oakland Industrial Arts Corridor.  My fellow Panelists were; Leslie Pritchett, Public art consultant and Crucible Board member; Sean Orlando, Lead artist and co-founder of the Five Ton Crane Arts Group and Karen Cusolito, founder of American Steel Studios. We were invited to speak about the growing arts community in West Oakland and why it is important.

We presented a number of slides to illustrate the scope and scale of what is being done in and made in Oakland, specifically along the Mandella Parkway corridor. We highlighted a number of art spaces such as Bruce Beasley’s art park, Lost and Foundry, The Crucible, Kinetic Steam Works, St Louise Studios and American Steel Studios.  It was immediately apparent that West Oakland hosts an amazing variety of art spaces, a rich mix of artists and craftspeople and as a community, we create some of the most impressive collaborative and large scale work being made.
 
Faculty Focus - Felix Torres Print E-mail

by Thea Daniels


The Art of Woodcarving & Sculpting w/ Felix Torres
May 10th - June 28th
Thursdays, 6-10pm

Sign Up Now!

On the floor of the Sierra Maestre mountainous forests, Cuban sculptor, Felix Torres, would find raw material for his next piece.  Downed by hurricanes, Guyacan, Jigui, and Ebano Carbonero wood lay like ebony, dense and heavy, rich in form, and plentiful enough that, in seven years of caring every day, he never cut a tree. He often felt nature had designed and left the form; he was just putting the finishing touches, releasing the animal or symbol within.  Falling for and marrying a Bay Area native, led him to relocate four years ago to the East Bay. Yet part of his heart and part of his future remain on his family land where a budding eco-artist community, Ecolonia Nuevo Mundo, continues to develop.



woodcarving

 
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