Lynn-Rachel Altman
2023-03-15T10:33:01-07:00Phone:
Email:
Lynn-Rachel Altman - Bio
LR (Lynne-Rachel) Altman has a background in glass, ceramics, industrial design, social practice and public art. She is an experienced teacher with an MFA in sculpture and Glass, with distinction, from CCAC. She loves sharing skills and creating in community and hopes you can join her soon.
Charles Balliet
2021-11-03T08:00:33-07:00Phone:
Email:
Charles Balliet - Bio
My experience forging began when I was twelve years old, when I started learning how to blacksmith under the tutelage of Herb Upham: a long time forger, machinist and former head of the California Blacksmith Association (CBA). I was drawn to the craft because I was inspired by this ancient art, and how it brings a tangible connection to history. My passion led me to buy my own forge back in 2004, which I have been using to make tools, swords and replica armor ever since.
I first started coming to the Crucible more than ten years ago, and have studied and taught there on and off. I'm excited to be back assisting on the Blacksmithing team.
Cassie Kise
2018-10-04T10:32:31-07:00Phone:
Email: cassandrakise@gmail.com
Cassie Kise - Bio
Cassie Kise is an artist, anthropologist, fabricator, and educator based in Oakland, California. Originally, from both Philadelphia and Carmel Valley, California, Kise received her BFA from The School of the Art Institute of Chicago with concentrations in Art & Technology, Sculpture, and Photography. She has was first introduced to iron at Sculpture Trails Outdoor Museum in Solsberry, Indiana. Kise is currently the Social Media + Outreach Coordinator for the upcoming 2019 National Conference of Contemporary Cast Iron Art + Practices at Sloss Historic Furnaces in Birmingham, Alabama. Locally, Cassie works full-time as the Model Shop & Fabrication Studio Manager at California College of the Arts in San Francisco, where she manages CCA’s general access wood and metal shops.
Gabe Nasr
2018-09-21T10:52:33-07:00Phone:
Email: nextbeveldesigns@gmail.com
Gabe Nasr - Bio
As a Bay Area native, my craft is focused on celebrating California as a natural wonder. Currently working in large wood slab and river table work (mostly California walnut wood), I also have a background in fine cabinetry and Danish chair making, which I studied at the Krenov school of fine woodworking.
Erik Eiserling
2019-10-03T16:42:26-07:00Phone:
Email:
Erik Eiserling - Bio
"My goal is to share the appreciation of the art of glass blowing through teaching and the creation of beautifully crafted works."
Erik was introduced to glass blowing while attending Santa Monica College in Southern California. It was then that the connection between his Swedish heritage and the art of glass blowing came to light. Erik soon left to study with the Swedish glass masters at the Orrefors Glass Factory. After 2 years of perfecting his technical skills he decided that California College of the Arts (CCA) would round out his education. While attending CCA Erik was introduced to the Italian styles of glass blowing. He further pursued this interest by working with Italian glass master Lino Tagliapietra at the Pilchuck Glass School in Washington and again Pratt Fine Arts Center in Seattle.
After teaching glass blowing at CCA for 3 years in Oakland California Erik has gone on to work with other glass artists exploring the medium and exhibiting his work internationally.
David Reisine
2018-09-06T17:54:34-07:00Phone:
Email: dreisine@yahoo.com
David Reisine - Bio
I got my BFA from UC Santa Cruz and my MFA from Albany NY with a focus in sculpture. I use my background in welding and blacksmithing to transform abstract drawings into sculptures that play with the fundamental aspects of 2D and 3D perception.
Ian Whitt
2018-09-06T10:41:37-07:00Phone:
Email:
Ian Whitt - Bio
Ian Whitt grew up in Hattiesburg, MS about an hour away from the Gulf Coast. He first discovered glass blowing on a family vacation to Hawaii. “From the first second I saw glass blowing I was hooked, I was fascinated with the way the glass flowed and moved, it almost seemed to be alive.” Ian then began taking introductory glass workshops at the New Orleans School of Glassworks and Printmaking for a year. The Glass Art Society held their annual conference in New Orleans that same year and for the first time Ian was exposed to huge glass pieces being made by large teams of glass workers. Ian attributes this one weekend as the pivotal turning point where glass became his main focus and took over his life.
Ian received a BFA from the Appalachian Center for Crafts in Smithville, TN. He has worked for various glass artists around the Penland, NC and Asheville areas and has completed multiple private commissions for collectors all over the Southeast. He has recently moved from the island of Martha’s Vineyard, MA where he worked for Martha’s Vineyard Glassworks to the San Francisco Bay Area in California where he freelances as a production glass assistant where his work continues to focus on the fluidity and aqueous nature of molten glass.
