The Crucible’s 7th Annual Fire Arts Festival set West Oakland ablaze and transformed the vacant lot at Kirkham St. and 7th St. into a Fire Arts Arena with a four-day run from Wednesday, July 11th, to Saturday, July 14th, 2007.

Designed and produced by The Crucible’s Founder and Executive Director, Michael Sturtz, the annual celebration of fire and light featured an amazing cast of dancers and performers reflecting the diversity of the Bay Area’s arts community — from classically trained ballet dancers to hip-hop artists, musicians, outrageous fire artists and performers, and The Crucible’s own faculty of blacksmiths, metal casters, and glassworkers.

The festival showcased kinetic and fire art pieces, with over 30 installation artists contributing to the event’s success. Many of the kinetic fire sculptures, like the 168-foot long Serpent Mother, created by arts collective The Flaming Lotus Girls, which encouraged hands-on participation like controlling propane jets. Another interactive display, Dance Dance Immolation, by Interpretive Arson, challenged participants to match on-screen dance steps – with the penalty for a misstep being a blast of fire to the face (fortunately dancers were suited up in Nomex firefighter suits prior to testing their skills).

The Fire Odyssey

Ever raising the bar for “flameboyance,” this year Michael Sturtz added something new: The Fire Odyssey, an 11-act modernized interpretation of Homer’s epic poem, performed nightly. Blending industrial fire theatre with ballet, opera, hip hop, aerial dance, fire performance and more, The Fire Odyssey brought together an amazing cast of internationally recognized dancers and performers to create one of the most technically ambitious and visually stunning productions seen in the Bay Area.

Opera singer Aimee Puentes sang the role of Penelope, and Easton Smith, who played Romeo in The Crucible’s production of Romeo & Juliet—A Fire Ballet, returned as Odysseus. Mongolian contortionist Byamba Serchmaa played Circe, who tried to seduce Odysseus; members of the renowned hip-hop troupe Flavor Group played Odysseus’ men. The acrobatic team of Realis, made up of gold medalists and world champion gymnasts Shenea Booth and Arthur Davis, performed the production’s amazing finale, with original live music provided by Mark Growden and a hand-picked ensemble.

The saga of Odysseus took place on an enormous 58 foot wide stage, complete with a thousand-gallon “sea;” a colossal Rube Goldberg style system of stairs, ramps