Alexis Pavlantos started teaching Jewelry and Foundry classes at The Crucible five years ago. Her own jewelry and sculptural work is inspired by creatures with as many legs from four to one thousand and objects in their natural raw state. We are so excited to have Alexis vending at GIFTY 2017 for the fourth year in a row.
GIFTY will be packed with opportunities for you to shop from 60+ local vendors, eat delicious food, learn from faculty demos, create small gifts, win amazing prizes, enjoy live music, and more! Check out this helpful flow chart to create your game plan.
LR Altman joined The Crucible’s CREATE Program in 2014. Through the CREATE Program, LR has access to the tools, equipment, and studio space to create sculptures and find a community of fellow artists.
Saturday, September 23, 2017 • 10am-5pm We are hosting a free community event with Lie Nielsen Toolworks, showcasing their top-notch woodworking hand tools. Come see how quality hand tools can make your woodworking projects easier, with demonstrations by Kevin Drake of Glen-Drake Toolworks in Fort Bragg, California.
We hope our 2017 Fall Open House was just as much fun for you as it was for us. Our expert faculty gave demonstrations and answered questions in nineteen different departments, Crucible artists sold and showed their work, youth discussed what a 'creative workforce' meant to them, and Villa Rocio's fed the masses with delicious $2 tacos.
If you have come taken a tour at The Crucible lately, you have met Peter Moore. One of our enthusiastic volunteers and a great tour guide, Peter helps Crucible visitors learn more about this area, it’s place in Oakland’s history, and start to figure out which Crucible Department is calling to them.
Our 2017 Fuego Youth Leaders had a great summer, shadowing instructors, working as teaching assistants, visiting local industrial arts studios, and making final projects in their disciplines!
When Karl Hauser first walked into The Crucible in 2013, he was immediately reminded of his years in art school, where he was surrounded by highly skilled people experimenting and testing the limits of their art.
Byrd Pappas was living in New Mexico, when on a whim, they decided to move and get involved with The Crucible and the Bay's queer metalworking community.
